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May 18th, 2012 by jae

Photographing Smoke

By Tiffany M

Today we have a video tutorial showing photographers how to photograph smoke. After a few mishaps and a small studio fire, Kai is able to get off some good smoke shots from a bundle of incense sticks. He uses two 580EX2 flash heads (one used only as a trigger) on his Canon 550D, then briefly goes through the editing process in Adobe Photoshop. Take a look at the video here:

When photographing smoke, a few tips to remember are:

  • Use flash to illuminate the smoke and leave the background dark to create contrast.
  • Shoot in  RAW
  • Try different methods such as fanning or blowing the smoke to create interesting patterns.
  • Invert the image in Photoshop to make changing background colors easier.
  • Experiment with adding colors and gradients to the smoke during the editing process.

Take plenty of photos during your session and then try various colors.

Photographing SmokePhotographing Smoke 2

 

Good luck with your smoke photography efforts and please be careful ;)

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Disclaimer: Photo-Surety is not associated with PictureCorrect. No remuneration of any type is received by Photo-Surety nor does Photo-Surety derive any remuneration from this or any posting. All information is copyrighted by their owners. No copyright infringement is intended.

May 18th, 2012 by jae

Photography Site SEO Tips

By Nigel Merrick

Almost every professional photographer I speak to about lead generation asks me the same question at some point during our conversation:

“How can I get more website visitors from the search engines without having to pay for expensive ads?”

Photography Website SEO Tips & Techniques

While Google AdWords and paid advertisements on select photographer directories might bring in some website traffic, it can quickly eat into our precious marketing dollars. For example, if we don’t carefully manage those ad campaigns, we can easily burn through our daily advertising budget for Google AdWords, or Facebook ads, before the day is even halfway over, often with no sales or concrete leads to show for it.

At the end of the day, the actual cost per click may be relatively low, but the real cost of acquiring a new client from such ads can be much higher, depending on how many clicks it takes on average to produce a serious lead.

SEO

Although paid ads can serve a useful purpose for some, it’s obviously preferable for our photography business to appear as high as possible in the natural search results.

It stands to reason that the higher our website ranks for any given search the more traffic we’ll see.

But the question many photographers have then is:

“Okay, but how do I get my website ranked more highly in Google?”

This is where SEO (search engine optimization) comes into play.

To optimize our websites effectively, we must understand the basic principle that the job of the search engines is to provide the most relevant and interesting results possible for a particular set of keywords.

Google and the other search engines achieve this goal by ranking web pages within the search index using complex proprietary algorithms.

Our SEO task is to help the search engines achieve their goal without trying to manipulate the system in any way with undesirable methods (often referred to as “black hat SEO“).

The biggest mistake that I see photographers make with SEO is chasing the wrong keywords and keyword phrases.

For example, it seems natural at first to aim for such phrases as “professional photographer“, “wedding photographer“, or “portrait photographer“.

Unfortunately these phrases are so generic, appear on so many websites, and are searched for so often that there’s very little chance of being able to rank highly for them.

Not only that, we may not even want to, since those phrases don’t fit the criteria for what we call “buying signals“.

What are buying signals?

Consider this example. Someone who types “wedding photographer” into Google could be someone looking for information on how to become a wedding photographer, for a book on wedding photography, or a YouTube video. It’s a very general search in terms of its intent, and doesn’t give us much of a clue about what they’re really thinking about.

On the other hand, someone else types “traditional wedding photographer in Memphis TN”. Here we have someone who is looking for something a lot more specific, and they’re much more likely to be in a buying mode, since there’s a much higher chance that they’re actually looking for a wedding photographer to hire for their wedding.

The key buying indicator in this example is the addition of the location.

With the possible exception of destination photographers, most professional photographers operate within a fairly well defined local area, with a target market that usually lives within 100 miles or so of their studio.

It therefore makes sense to choose keyword phrases that represent the local market, and to create content that can rank well for those keywords.

I know this might sound strange, but the next mistake I see is photographers forgetting to put their studio address on their website! On many occasions where I’ve been asked to mentor a photographer, the only way I can figure out where they actually are is to Google the area code for their phone number!

Not a good start!

So don’t make the mistake of assuming that your target market will know where you are. Google certainly won’t have a clue unless you make it obvious! Your address is the first indicator of the area you serve, and should ideally appear on every page of your website – usually in the header section.

So where should you put your keywords, and how often should you use them?

If you’ve been around SEO for any length of time, you may have heard the term “keyword stuffing“, and this is certainly something to avoid, but what does that mean exactly?

Keyword stuffing is the term for when we use the same keyword phrase over and over again, in an unnatural way, to try to influence the search engines. Technically, it comes under the umbrella of what Google likes to call “over-optimization” and can result in your web pages being given lower rankings, or even removed from the index altogether.

This could spell trouble for the professional photographer who is trying to rank for something like “wedding photographer in Memphis TN“, because repeating that phrase more than a few times on a page just doesn’t read right for the audience, and the search engines will easily sniff it out too.

However, there’s always more than one way to skin a cat, as it were, and this problem is no exception.

Firstly, the search engines are becoming very smart about understanding the context and semantic meaning of text, especially English. The ranking algorithms don’t just count words these days, they also have a good idea about related words, sentence structure, and the general meaning based on surrounding text.

We can put this to our advantage by using variations of our keyword phrases to achieve a similar result. For example:

  • “Looking for a wedding photographer in Memphis TN?”
  • “Live in Memphis TN and searching for the right wedding photographer?”
  • “Have a wedding in Memphis TN? Find the best photographer here…”
  • … and so on.

By the way, as a rough guide to avoid being flagged for keyword stuffing, your keyword phrases should appear no more than 5 or 6 times for every 100 words of text.

Are some places better than others on a web page for our keywords?

Yes, some areas are more important than others when it comes to keyword placement, so we should make the effort to include our most relevant keywords in places where the Google robots assign the most weight.

For example:

  • The page title (found in the <title> tag of the page header)
  • The meta description (found in the HTML header section)
  • In the main heading (usually specified by the <h1> HTML tag)
  • In sub-headings (<h2>, <h3> etc.)
  • Emphasized using bold, underlines, and italics
  • As the anchor text for internal links

Note: “Anchor text” is the actual text that a user would click on to visit a link. Having keywords in your anchor text for internal links is important for establishing relative relevance of pages within your site.

One objection I hear from photographers is, “I’m a photographer, not a writer“, which is actually false!

First, if you want to be a professional photographer then you must stop thinking like a photographer, and start thinking more like a marketer.

Second, you better learn to write, or have someone do it for you, because there is no way around this if you seriously want to rank anywhere. Now, that doesn’t mean we’re writing novels or anything like that – in fact, a conversational and friendly tone always works best.

If you do find it really hard to write, then record yourself talking about your topic, and then transcribe it into text.

Whatever method you choose to create your website copy, it’s essential, both for your target audience and for the search engines.

However, aside from all that, the good news is that there are also other ways to deploy your chosen keyword phrases without risking a slap from Google.

Through images and photographs.

The Google robots cannot “see” photographs and understand what they are (at least not yet), which is one of the reasons why Flash-based websites perform so poorly in the search engines, so you might wonder how we can use images for SEO.

As it turns out, we can add keyword phrases to images in certain useful ways:

  • As part of the image filename
  • In the “alt” attribute of the HTML <img> tag
  • In the “title” attribute of the HTML <img> tag
  • As part of the caption (text that appears below the image)
  • In a written testimonial from the client, displayed near the image

The point here is to be creative and constantly thinking seriously about how your web pages are constructed from both your audience’s perspective and the search engine’s viewpoint.

In a sense, you’re trying to help the search engines better understand what your website is about, who it’s aimed at, and how relevant it is to the subject.

If you can do that, and provide real value to your website visitors at the same time, you’re well on your way to higher rankings and more traffic.

While working to constantly improve our website SEO is necessary in order to stay ahead, an increase in website traffic is only a part of the overall solution, and website visitors are more than just statistics to be counted by our analytics software.

They’re real people, with real needs and desires, and they’re all looking for something when they visit our website. With that in mind, I see it as our responsibility as marketers of professional photography to make sure we satisfy those needs by providing them with valuable content that helps them make the decision to contact us for a more personal conversation.

So, SEO is only the first step in a larger process. Once you’ve attracted them to the website, the next challenge is to present them with valuable and persuasive content that will lead them through your sales funnel to the point where they are compelled to want to talk with you.

About the Author:
Nigel Merrick is a professional photographer, blogger and business coach for other working photographers. Nigel’s blog ( Photography Business, SEO and Marketing ) helps professional photographers find peace in their business, love from their clients, and happiness in their personal lives by clarifying their focus on business and marketing.

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Disclaimer: Photo-Surety is not associated with PictureCorrect. No remuneration of any type is received by Photo-Surety nor does Photo-Surety derive any remuneration from this or any posting. All information is copyrighted by their owners. No copyright infringement is intended.

May 18th, 2012 by jae

Exposure & Photography

By Tiffany M

In photography, there are three fundamental aspects that every photographer should familiarize themselves with: aperture, shutter speed, and ISO. The video below does a great job of laying out the basics in an easily understandable manner. If you’ve been wondering how to take images with just the right exposure, have a look:

These three elements are all used as essential means of achieving correct exposure. When one changes, it will affect the exposure, it’s your job as a photographer to understand how to balance all three of them, making sure that they all work together to get a properly exposed image.

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Disclaimer: Photo-Surety is not associated with PictureCorrect. No remuneration of any type is received by Photo-Surety nor does Photo-Surety derive any remuneration from this or any posting. All information is copyrighted by their owners. No copyright infringement is intended.

May 18th, 2012 by jae

How to create the illusion of painting with light

by Tiffany M

Dennis Calvert has devised a surprisingly uncomplicated method to make a light painting self-portrait in which he appears to be on fire. Outside of some pretty standard photography gear (camera, tripod, and a speedlight) all you need to take one of these for yourself is an electric glow stick. To make things even easier, Calvert put together a short behind the scenes timelapse video, which you can watch how it works here:

In case you couldn’t quite follow Calverts moves through the darkness of the film, here’s a breakdown of how he did it:

Once you have those thing gathered up, you’ll need to find a dark location to take your photograph. For reference, Calvert took his picture at night out in the country, where light pollution is very minimal. Once you are on location, set up your tripod and set your camera to ISO 400 a about f/8. You’ll be using a long shutter speed, but it will vary depending on your specific location. Luckily, you won’t have to worry about the electric glowstick burning out so you can do a few brackets to find a good exposure time.  Mark the spot you will be standing in and use a flashlight to focus your camera to that spot.

Next, sync your speedlight to your camera so that it fires at max intensity and set it behind you (Calvert strapped his to his back) so that it overexposes the background that is directly behind you but leaves a dark vignette around the frame. It helps to have a wall behind you to catch all the light.  Fire your shutter, as soon as the flash goes off, turn on the glow stick and shake it around, outlining the shape of your silhouette. Turn off the glow stick and check to see how your light painting came out. If it’s a little dark, try lengthening your shutter speed, if it’s too bright, try working a little quicker.

Fire Light Painting

How to Create Fire with Light Painting

It’s worth mentioning that the final version of Calvert’s photo was in no way edited. The image above is straight out of his camera. Very impressive.

Reminder: There is only 1 day left in the May sale of Trick Photography & Special Effects

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Disclaimer: Photo-Surety is not associated with PictureCorrect. No remuneration of any type is received by Photo-Surety nor does Photo-Surety derive any remuneration from this or any posting. All information is copyrighted by their owners. No copyright infringement is intended.

May 16th, 2012 by jae

Luminance HDR: Project of the Month, May 2012

SourceForge is excited to announce that Luminance HDR is the May 2012 Project of the Month.

Last week I spoke with Davide Anastasia, Daniel Kaneider, and Franco Comida about the project. Luminance HDR is SourceForge’s May Project Of The Month. (See other POTMs.) The project of the month is chosen through a poll that we conduct via the TwtPoll website. We encourage you to vote in next month’s POTM poll, which should be coming up shortly.

You can listen to my interview with them. You can download the audio in mp3 and ogg formats.

You can subscribe to this, and future podcasts, in iTunes or elsewhere, athttp://feeds.feedburner.com/sourceforge/podcasts, and it’s also listed in the iTunes store.

Rich: Davide, Daniel, and Franco talked with me about the project, and the HDR process in general.

You can see some of the results of their software on their Flickr group, or on their Facebook page.

So, here’s my interview with the Luminance HDR team.

First of all, congratulations on this honor, and thank you so much for being part of the SourceForge community!

Davide: Oh, it’s great to be part of it, actually!

Rich: Tell me about your project. Tell me what it does. Tell me how you all got started doing this.

 

Davide: The project is a complete solution for HDR photography. What’s HDR? It’s basically the possibility of creating images that have an ideal dynamic range of colors. We do that by merging multiple pictures of the same scene together, and then we post-process them to create a new, say, jpeg or gif image. That’s just a brief introduction to the project.

Rich: I first started seeing photographs like this just a few years ago. How old is this technology?

Davide: Actually it’s pretty old, because there’s been research on this field since the early 90s. We already had commercial products starting at the beginning of the 2000′s. The nice thing is, it seems that Luminance HDR is the unique Open Source solution in this field. That’s why we get so much attention.

Rich: How big is your developer community?

Davide: It’s basically three of us.

Rich: Do you find that professional photographers are you using your software, or is it hobbyists, or …

Davide: We have a very good community spread across Facebook and Flickr. We do have professional photographers using Luminance HDR. In most of the cases they use Luminance HDR to create the first image, and then they post-process with other software solutions, like good commercial ones, or Gimp, and just stay in the Open Source community. We do have a lot of interesting pictures on Flickr, and we would really like to share the link to our Flickr group.

Grunge Superstude

Rich: Tell me something about the HDR process itself. I’ve seen tutorials that say you have to have multiple photographs, and others that say that’s not really necessary. Tell me some more about that.

Davide: Well, it depends. It depends what you want to achieve. Many people just want to achieve the HDR look. They usually start with a single image. But if you really want to cover the entire dynamic range of the scene, then … usually we use a lot of HDR photography for landscapes, because it’s the kind of situation where you really have strong difference between the foreground and background. In this situation, you really need to have a bracket group of pictures. We do recommend three pictures. Let’s say, one to what the camera suggests to be the best exposure, and plus 2 and minus 2 exposure value. And any decent camera can do that. It really opens this possibility to a large base of users.

Rich: What programming language is your software written in?

Davide: It’s mostly C++, with some code in C, here and there. It’s basically legacy code which will be replaced sooner or later. But it’s mostly C++. We do use QT, as a GUI library, widget library. And we do use, obviously, other libraries to read images, for doing color correction. Actually, Franco is doing a really good job with the color management system. He has been working on this thing for a couple of months already. We do have new features coming in pretty soon as well.

Rich: Tell me some more about that. What’s upcoming in future versions of this software?

Davide: We do have a lot of things, actually. As I said, Franco is working on the color management system. And in the meanwhile, I’ve been working on a new engine for the entire Luminance HDR, based on Boost GIL. So we do have a lot of projects going on which will change Luminance HDR a lot in the future. We don’t know the time frame, because, as you can imagine, this is not our first activity, so we do have to manage our time. Probably Daniel and Franco have to speak as well.

District office of Aachen-Eilendorf

Daniel: I’m doing the testing on the Windows side. From the developer point of view I’m the only one who is using Windows as a primary system. So mainly some testing and small patches. So for example improving some small Windows features, like using the Windows progress bar.

Franco: I’ve been working for about two months on the color management system, which enables Luminance to manage the color of the pictures, so they can look the same on the monitor or on a printer. That’s what I’m doing now.

Rich: And when do you anticipate that the next version will be ready?

Davide: We don’t actually know the date. We were thinking to be releasing something in a month’s time, probaby a beta. We do release a stable version pretty much every six months. The last stable version was in January. We usually release one in July, and again in January. And in the meanwhile, we do release some betas here and there, because we want people to test features. We do work a lot with our users. We have a Facebook group and a Flickr group as well. We do create a bit of community around the software. It might be interesting to join one or the other. And we usually collect lots of nice feedback from these communities.

Rich: Thank you all very much for speaking with me.

All: Thank you.

Rich: And congratulations again!

Ewart Street 2

Luminance HDR

 danielkaneiderdavideanastasiafcomidagrota

Complete solution for HDR photography

Download Luminance-HDR-Win32-SETUP-v2.3.0-beta1.exe

Browse All Files

Main WindowPreviewMerge WizardMerge Wizard EditingMerge Wizard OptionsPost Processing

Description

Luminance HDR is a complete suite for HDR imaging workflow. It provides a wide range of functionalities, both during the fusion and the tonemapping stage. Its graphical user interface, based on Qt4, runs on a multitude of platform, like Microsoft Windows (32 and 64 bit), Mac OS X 10.6 and above and several Linux distribution.

Input images can be supplied in multiple formats, from JPEG to RAW files. In the same way, output can be saved in many different formats as well, from JPEG to TIFF (both 8 bit and 16 bit per channel), enabling all the power of your post processing tools.

Luminance HDR Web Site

Features

  • High Dynamic Range Imaging
  • Merge multiple pictures together to create an HDRi
  • Multiple tonemap operators
  • Reads RAW files
  • 16bit/channel output to exploit a wide range of post processing techniques

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Disclaimer: Photo-Surety is not associated with Luminance. HDR or Soureforge. No remuneration of any type is received by Photo-Surety nor does Photo-Surety derive any remuneration from this or any posting. All information is copyrighted by their owners. No copyright infringement is intended.

April 27th, 2012 by jae

Depth of Field in Portraits

By Wayne Rasku

There is nothing like a great portrait. The really good portraits stand out because the subject (especially the eyes) is sharply focused while the background is blurry. This sharp subject versus blurry background creates drama that draws the attention of the viewer to the subject where it should be focused.

The contrast between what is in focus and what is out of focus is known as “depth of field.” A good photographer knows how to control the depth of field using his camera, and that is what creates the great shot.

Understanding and being able to control depth of field is paramount to getting the portraits you desire. In fact, it is the most important technique in this type of photography.

Depth of Field Portrait

The first thing you need is a proper camera. It will take a digital SLR camera to be able to control the depth of field (it is possible with point-and-shoot cameras but you have less control).

The second thing you need is a good portrait lens. Not just any old lens qualifies as a portrait lens, but you might be surprised at how many will qualify if you know some of the techniques involved in controlling the background blur.

A portrait lens has two main requirements. The first is a telephoto range of between 50mm and 135mm, with the optimum being about 85mm. That means that a zoom lens will work, although many photographers prefer prime lenses for this type of photo shooting. The second lens requirement is a wide aperture. Normally f/2.8 and wider are the best, but for longer focal lengths, you can use up to f/4.0.

Attach a lens with the proper focal length to your digital SLR. Longer focal lengths are best at reducing the depth of field (when set at the correct aperture as you will see below). There are many photographers who love using a 70-200mm zoom lens for portraits. Others use 85mm lenses for their best shots. Wide angle lenses do not work well for shooting portraits.

Set the camera on “Aperture Priority”, and set the aperture at a very wide setting. The lower the number, the wider the aperture, and the wider the aperture, the less depth of field there is in the photo. For example, with an aperture of f/1.4, it is much easier to get a shallow depth of field than it is with an aperture of f/4.0.

Depth of Field Portrait 2

Photo captured by Courtney (Click Image to See More From Courtney)

Position the camera at the correct distance from the subject. This is a variable that will depend on the focal length of the lens, but you should be at the closest distance from the subject that will fill the camera frame with the subject. The closer the camera is to the subject, the less depth of field there will be in the final image. In simple terms, if the subject is only 10 feet from the camera, there will be less depth of field than if the subject is 20 feet from the camera.

Practice, practice, practice. The more experience you have, the more you will understand the effects on depth of field that each one of the settings mentioned have on the final outcome.

The best portraits are a result of using the right equipment along with the techniques outlined above. Contrary to what you may think, a good portrait lens will help more than a more expensive digital SLR camera.

About the Author:
Wayne Rasku is an amateur photographer. He hosts a website at http://digital-photographic-resources.com where you can find out more about where to find a cheap DSLR camera as well as a portrait lens to go with it.

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Disclaimer: Photo-Surety is not associated with PictureCorrect. No remuneration of any type is received by Photo-Surety nor does Photo-Surety derive any remuneration from this or any posting. All information is copyrighted by their owners. No copyright infringement is intended.